Virtual production
Camera tracking that fits your stage.
Connect the physical camera to the virtual scene. We select, install, and calibrate tracking systems around your room, camera movement, lenses, and rendering workflow.
Keep the camera and scene connected.
Understand the stage
We review camera paths, mounting options, lighting, and available tracking references. A permanent studio and a portable setup call for different choices.
Integrate the signals
Camera pose, lens information, timing, and the render engine must be configured together. We identify the interfaces your camera and software support.
Calibrate and train
We set up the tracking workflow and train operators on calibration, daily checks, and recovery when the stage configuration changes.
Virtual production in the classroom.
At UNC Greensboro, an LED volume and hands-on training support the film department’s VP1 and VP2 courses.
Explore the UNCG installation ↗Planning your project
Which systems do you integrate?
We work with tracking technology from OptiTrack, Mo-Sys, Stype, Vive Mars, and Zeiss CineCraft. The recommendation depends on the camera, lenses, stage, and software.
Does every LED wall need camera tracking?
No. Playback and many fixed-camera workflows can use an LED wall without tracking. Perspective-correct virtual environments for a moving camera typically need tracking and a compatible rendering workflow.
Can you work with equipment we already own?
Yes. We start by reviewing your existing equipment, connections, and workflow, then identify what can be reused and what needs to change. Compatibility is part of the design process.
Let’s start with your space.
Tell us what you want to do.
Share your room, workflow, budget, and timeline. We’ll help define the system and the next steps.
Talk with Form Volumes